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Experience a vibrant celebration of the American sound as the boundary-breaking orchestral collective The Knights joins forces with visionary pianist Conrad Tao for an afternoon of fearless music-making. Led by Artistic Directors Eric and Colin Jacobson, the program anchors the spirit of Gershwin’s Rhapsody in Blue, featuring Tao’s acclaimed, "explosive" interpretation within a broader narrative of musical innovation. From the pastoral beauty of Copland’s Appalachian Spring Suite and Margaret Bonds’ soulful Troubled Water to contemporary rhapsodies by Jessie Montgomery and the ensemble's own Christina Courtin, this performance bridges the gap between classical tradition and modern energy.
The Knights
Eric Jacobson, Artistic Director & Conductor
Colin Jacobson, Artistic Director & Violin
Conrad Tao, Piano
Christina Courtin, Violin & Vocals
MARGARET BONDS: Troubled Water (arr. Bruno Lima)
JESSIE MONTGOMERY: Rhapsody No. 2 for Solo Violin and Chamber Orchestra (arr. Michi Wiancko)
AARON COPLAND: Appalachian Spring Suite
CHRISTINA COURTIN: rhapsody on being giant proof
GEORGE GERSHWIN: Rhapsody in Blue (arr. Michael P. Atkinson)

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About the Artists
The Knights are a collective of adventurous musicians dedicated to transforming the orchestral experience and eliminating barriers between audiences and music. Driven by an open-minded spirit of camaraderie and exploration, they inspire listeners with vibrant programs that encompass their roots in the classical tradition and passion for artistic discovery. The orchestra has toured and recorded with renowned soloists including Yo-Yo Ma, Dawn Upshaw, Béla Fleck, Chris Thile, and Gil Shaham, and has appeared across the world’s most prestigious stages, including those at Carnegie Hall, Tanglewood, Ravinia, The Kennedy Center, and the Vienna Musikverein.
The Knights evolved from late-night chamber music reading parties with friends at the home of violinist Colin Jacobsen and cellist Eric Jacobsen. The Jacobsen brothers, who are also founding members of the string quartet Brooklyn Rider, serve as artistic directors of The Knights, with Eric Jacobsen as conductor. Since incorporating in 2007, the orchestra has toured consistently across the United States and Europe.
The Knights seek to share music with a broad general public regardless of background, and the group designs programs to appeal to both loyal followers and new listeners alike. The Knights perform in traditional concert halls as well as in parks, plazas, and bars, and create unusual and adventurous partnerships across disciplines. Counted among recent highlights are fully staged performances of Bernstein’s Candide at both Tanglewood and Ravinia; the release of the album “Shorthand” with composer Anna Clyne and cellist Yo-Yo Ma, and the 2025 summer season featuring performances at Central Park’s Naumburg Bandshell, Bryant Park, Caramoor Center for Music and the Arts, and the Clark Art Institute.
The orchestra seeks out and prioritizes collaborative partnerships with artists often underrepresented in classical music. Recent seasons have included performances with Brooklyn-based Pan Evolution Steel Orchestra, with African musicians as part of William Kentridge’s The Head and the Load, and with a diverse group of contemporary composers and performers including Vijay Iyer, Kinan Azmeh, Angélica Negrón, and Jessie Montgomery, among others.
Artistic collaborators in the 2024-25 season included GRAMMY-winning singer-songwriter Aoife O’Donovan and Brooklyn Youth Chorus; vocalist Cécile McLorin Salvant; Knights violinist and composer Christina Courtin; and genre-shattering pianist/composer Aaron Diehl, with whom The Knights released a GRAMMY-nominated album of Mary Lou Williams’ Zodiac Suite in September 2023.
In the 2025-26 season, The Knights continue our concert series presented by Carnegie Hall, featuring a new work by songwriter and composer Gabriel Kahane for clarinetist Anthony McGill, commissioned as part of the orchestra’s Rhapsody project. Rhapsody is a multi-year initiative inspired by the 2024 centennial of George Gershwin’s Rhapsody in Blue. The Knights’ Carnegie Hall concerts this season feature poet J. Mae Barizo, pianist Dan Tepfer, and other esteemed collaborators. Learn more.
The Knights are proud to be known as “one of Brooklyn’s sterling cultural products…known far beyond the borough for their relaxed virtuosity and expansive repertory” (The New Yorker). Their roster boasts musicians of remarkably diverse talents, including composers, arrangers, singer-songwriters, and improvisers, who bring a range of cultural influences to the group, from jazz and klezmer to pop and indie rock music. The unique camaraderie within the group retains the intimacy and spontaneity of chamber music in performance. Through the palpable joy and friendship in their music-making, each musician strives to include new and familiar audiences to experience this important art form.
Conrad Tao is a pianist and composer celebrated for his boundary-defying artistry as well as his powerful performances of traditional repertoire. Described by New York Magazine as “the kind of musician who is shaping the future of classical music,” and praised by The New York Times for his “probing intellect and open-hearted vision,” Tao appears regularly as a soloist with leading orchestras and at major venues across the world.
In the 2025–26 season, Tao returns to the Chicago Symphony Orchestra as both soloist and recitalist, performing Bartók’s Piano Concerto No. 3 with Karina Canellakis and later presenting a recital program featuring Gershwin song arrangements alongside works by Schoenberg, Strayhorn, Schumann, and others. Recital highlights include debuts at Berlin’s Philharmonie and Hamburg’s Elbphilharmonie, as well as returns to Klavierfestival Ruhr, and to the Celebrity Series of Boston, and the Seattle Symphony with Poetry and Fairy Tales, a program blending works by David Fulmer, Rebecca Saunders, Todd Moellenberg, Brahms, and Ravel.
Tao reunites with Robert Spano for performances of John Adams’ Century Rolls (San Diego Symphony) and Bernstein’s The Age of Anxiety (Atlanta Symphony). He also joins Matthias Pintscher and the Konzerthausorchester Berlin for Pintscher’s NUR, and travels to Tokyo to perform Mozart’s Piano Concerto No. 17 with the NHK Symphony and Jaap van Zweden. He makes his harpsichord debut at Princeton University in Patricia Kopatchinskaja’s Dies Irae.
Recent highlights include his return to Carnegie Hall with Debussy’s 12 Études and his original composition Keyed In, as well as appearances with the San Francisco Symphony and Nicholas Collon, Philadelphia Orchestra and Marin Alsop, Boston Symphony and Dima Slobodeniouk, New York Philharmonic and Jaap van Zweden, and Cleveland Orchestra and Jahja Ling. In 2024, he also toured Europe with the Kansas City Symphony and Matthias Pintscher to mark the 100th anniversary of Rhapsody in Blue, with sold-out performances at the Elbphilharmonie, Berlin Philharmonie, and Concertgebouw.
Tao continues performing his own works, including Flung Out, an homage to Gershwin, which he played recently at the Aspen Festival, and The Hand, a companion to Beethoven’s Piano Concerto No. 1, which was commissioned and performed by the Kansas City Symphony. His orchestral work Everything Must Go premiered with the New York Philharmonic and later in Europe with the Antwerp Symphony. He also tours Counterpoint, his collaboration with dancer Caleb Teicher, and performs regularly with the Junction Trio alongside Stefan Jackiw and Jay Campbell. Additional recent collaborators include vocalist Charmaine Lee, artist Avram Finkelstein, choreographer Miguel Gutierrez, and brass quartet The Westerlies.
Tao’s acclaimed recordings include Voyages, Pictures, and American Rage (all on Warner), as well as the loser by David Lang, and Bricolage with The Westerlies.
He is a recipient of the Avery Fisher Career Grant, the Gilmore Young Artist Award, and a New York Dance and Performance “Bessie” Award for his collaboration with Caleb Teicher on More Forever.

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