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Presented in collaboration with City Winery
Caramoor Grounds
All tickets: $64

Caramoor’s annual American Roots Music Festival fills our stunning grounds with the soulful sounds of Americana, folk, bluegrass, and more! Wander from stage to stage and discover your next favorite artist as an incredible lineup of bands brings the music to life across our picturesque venues. This year’s festival concludes with the high-energy Memphis soul of headliners Southern Avenue. Throughout the day, you’ll dive into the Grateful Dead songbook with the acoustic string-band adventure of Deadgrass, experience the vintage-inspired sounds of The Moonrise Cartel, and enjoy the rich, evocative storytelling of Caleb Caudle & The Sweet Critters. Rounding out this stellar lineup is the "next-generation alt-country" flair of Chloe Kimes. Join us for a full day of music and community in the heart of Westchester!
Southern Avenue
Deadgrass
Caleb Caudle & The Sweet Critters
Chloe Kimes
The Moonrise Cartel
Additional Artists to be announced.
Rain or Shine Policy: All events at Caramoor take place rain or shine. In the event of inclement weather, this performance will move indoors or under a covered space.

Visit Us
Craft your experience to make the most of your visit.
About the Artists
Southern Avenue, the Blues Music Award-winning, GRAMMY-nominated Memphis-based family band, plays original Memphis blues, modern soul, and gospel-infused roots music that is uplifting and timeless. They are known worldwide for their inclusive, message-driven songs fueled by hard-hitting grooves and electrifying guitar. The band’s new album, Family, makes it clear that Southern Avenue creates musical storytelling magic. The band is unlike any other on the scene today, featuring lead vocalist/songwriter Tierinii Jackson, her husband, guitarist/songwriter Ori Naftaly, and her sisters, drummer/ vocalist/songwriter Tikyra “T.K.” Jackson and percussionist/violinist/ vocalist Ava Jackson. “Through our music,” says Naftaly, “we expand our family to include our fans and whomever is moved by our songs.”
The inspiring harmonies of the church-raised Jackson sisters are fueled by guitarist Naftaly, whose passion for blues and soul music led him to Memphis from his birthplace in Israel. Together, Southern Avenue blends the city’s musical traditions with their own thoroughly modern worldview. Their authentic and unfiltered original songs are a bold step in defining the future of Memphis music. They are among the most musically riveting and visually exciting live bands, and are among the few “must see” acts on the scene today. Jambase.com states, “Southern Avenue is jaw-dropping. They are not to be missed.”
Constant touring has brought Southern Avenue to destinations across North America, Europe and Australia, and earned them non-stop adulation from fans, press and fellow musicians. They’ve been nominated for the Blues Music Award for Band Of The Year in 2021, 2022 and 2023, and have toured with The Tedeschi Trucks Band, Sheryl Crow, Los Lobos, Galactic and The Revivalists, among many others. In 2024, the band performed across the country, including headlining the Chicago Blues Festival. They joined the Outlaw Music Festival tour for several weeks, performing alongside Willie Nelson, John Mellencamp and Bob Dylan.
Caleb Caudle’s body of work is shaped from the ground up. His artistry has emerged through endurance and the steady momentum of a life in motion, carrying him from small stages in the North Carolina foothills he calls home, all the way to the Grand Ole Opry.
Now, Caudle is entering a pivotal chapter – one of a profound culmination where life and art converge in powerful ways. The recent discovery that he and his wife are going to be first-time parents has added a new perspective, full of the responsibility and wonder that welcoming a child into the world brings.
On his new album, Heavy Thrill, this personal evolution mirrors his artistic journey. He takes full creative control, self-producing for the first time while recording at the storied Cash Cabin in Hendersonville, Tenn., where reverence for tradition meets his singular artistic vision.
“For this record, I wanted to focus on embracing the patina of life,” says Caudle. “Our plans rarely shake out the way we want them to. This record is about doing the most with what you’re given and weathering the storms.”
With the release of this album, Caudle is also launching his own label, aptly named “Handplow Records,” for the steel handplow painted a rusty red that sits in his great uncle’s yard, across the street from his home.
The humble tool was used for generations of tobacco farming in Caudle’s family, its wooden handles worn smooth by years of use stretching back to his great-grandfather. It represents the toil and dedication it takes to do things the hard way — and the sweetness that can yield.
“Much like farming, my career has been about putting in the work,” Caudle says. “You can’t always control the weather, but you can show up every day and give it your best."
His ascent has been gradual and steadfast, guided by experience rather than spectacle. The sound reflects where he comes from: the rich country traditions he was immersed in as a child, blended seamlessly with the indie music he grew up hearing on the radio. The result feels rooted yet restless — aware of its lineage but unafraid to wander.
The 10-track album captures life as it leaves its mark, embracing patience and quiet perseverance, as embodied in “Slow Growth” whose lyrics tell the story of the constant gardener, waking up each day and finding the ways to become a better version of yourself.
“The Ballad of Country Ham” reckons with the cost of chasing dreams and the aftermath when they slip away, while songs like “Anxious” turn inward, grappling with the dissonance of staying empathetic in a world that seems to have forgotten what the word means.
Caudle extends compassion toward flawed, deeply human lives—whether it’s the ethical gray spaces of survival in “Fox Got the Chicken” or the quiet resilience of a toll booth worker hanging on in “Toll Booth,” penned alongside two-time Grammy winner Natalie Hemby.
Together, these songs unfold as intimate portraits of individuals, moments, and moral crossroads, stitched together by empathy and hard-won self-awareness. At its heart, the record searches for meaning without certainty, dignity without recognition, and a hope that exists honestly within a fractured world.
Heavy Thrill was mixed by Jacquire King (Tom Waits, Modest Mouse) and mastered by Pete Lyman (Chris Stapleton, John Prine), two of Caudle’s favorite engineers, who have over 40 Grammy nominations between them.
Caudle has brought his music to stages across the world, with standout appearances at festivals including Merlefest, Luck Reunion, Kerrville Folk Festival, Bourbon & Beyond, Stagecoach, and Cayamo, alongside a run of critically acclaimed albums praised by The New York Times, The Wall Street Journal, NPR, No Depression, and Rolling Stone. He has made multiple appearances on NPR’s Mountain Stage and has been a guest DJ on Sirius XM’s Outlaw Country, where his songs are in constant rotation. In the fall of 2024, Caudle reached a career-defining milestone, stepping into the circle at the Grand Ole Opry for the first time.
If there were a Farmer’s Almanac for charting a music career, it is harvest time for Caudle, and with Heavy Thrill he is right on time as he redefines what it means to create, guide, and grow – taking ownership as both an artist and human being.
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PRAISE FOR CALEB CAUDLE
“Caudle has always known exactly who he is, peeling back layers to express his fears and victories with tenderness. That his first-person songs are so gutting is no surprise — he’s always been good at that.” - No Depression
“Everything’s going wrong, psychological and metaphysical, for the North Carolina songwriter Caleb Caudle in “Knee Deep Blues.” In a lean, modal, Appalachian-flavored tune, with his voice answered by slide guitar, he’s pursued by demons, bloodhounds and birds of prey, and he “can’t handle the evening news.” The chorus insists, “I don’t wanna think like that,” but there are still bleak verses ahead.”
- New York Times Best Songs of 2024
“The musical equivalent of high-proof bourbon – rich in flavor, with a subtle, satisfying bite.”
- Rolling Stone
Bio by Mason P. Winfree
Matt Turk and C Lanzbom joined forces to form Deadgrass, a string band jamgrass adventure through Jerry Garcia’s musical world. Bassist Dave Richards, banjo player Kris Bauman and fiddler Kensuke Shoji complete this fine group of seasoned pros exploring the life works of Jerry Garcia on the instruments that first inspired him. Deadgrass celebrates and interprets the music of Jerry Garcia, drawing from Old & in the Way, JGB, Jerry’s Jug Band days and Grateful Dead.
A seasoned recording artist and multi-instrumentalist, Matt Turk is a veteran performer who has performed and recorded with Pete Seeger, opened for Judy Collins, The Doobie Brothers, Fiona Apple and Grateful Dead's Mickey Hart. He has performed at the Clearwater Festival, Gathering of the Vibes, Atlanta's Music Midtown, Jazz at Lincoln Center, The Capitol Theatre and The Beacon Theatre. Matt has recorded for Warner Bros Records with Gaby Moreno & Matter Music.
Grammy award winner C Lanzbom is a touring and studio guitarist with producing, performing, writing and engineering credits with Pete Seeger, Bruce Springsteen, Crystal Bowersox, Shlomo Carlebach and Soulfarm. C's studio, Sherwood Ridge, is a state of the art recording facility just north of New York City. C has numerous television and film song placements. His affection and passion for Jerry Garcia’s music has been a major influence.
Bassist Dave Richards performs in Hamilton on Broadway and has recorded and performed with The Indigo Girls, Rosanne Cash, Buster Poindexter, Madeline Peyroux, Jewel and Richie Havens. He has toured throughout Europe, Canada and the USA, appearing at Ottawa Jazz, Toronto Blues festival, Hollywood Bowl and Austin City Limits. At the age of 17 Dave was playing jazz five nights a week in Orlando, Florida with Billy Peebles, the drummer for Ray Charles on many classic Atlantic recordings.
Banjoist Kris Bauman is a multi-instrumentalist who has been performing professionally since he was sixteen. He was featured with bassist Alexis Cuadrado on NPR's Studio 360. Bauman works in a variety of musical genres including Country/Bluegrass with his group "The Dang-it Bobbys"; Jazz as a leader and sideman, including performances or collaborations with vocalist Bobby Short, saxophonists Seamus Blake and Loren Schoenberg, composer/arranger Jason Lindner, and guitarists Kurt Rosenwinkel and Luca Benedetti; Rock/Pop with engineer Mike Barnard (Christina Aguilera, The Strokes) and Ilhan Ersahin (Nublu records); R&B/Soul with recording artist Bilal (Interscope).
Jazz violinist Kensuke Shoji was born in Gifu, Japan. He joined his father's bluegrass band as a teenager. As a young adult he moved to the U.S.A. to study jazz violin with Berklee String Department chair Matt Glaser, and world renowned violinist Christian Howes. Kensuke moved to New York City in 2013 to play with Alex Hargreaves, Barry Harris, Jacob Jolliff, Maria Muldaur and more.
Chloe Kimes is a Michigan born singer, songwriter and bandleader currently based in Nashville, TN. In 2022 Kimes independently released her self titled debut album — voted "Listener's Choice Album of the Year" by WYCE Radio as well as landing her a spot on NPR Music's Top Ten Nashville Artists on the Rise. In 2024 she released her latest single "Coors Light" following its immense viral popularity, and spent the year touring a fresh batch of originals on the shoulders of her well loved debut, "it’s the early marks of a great Americana storyteller-in-the-making, cut from a cloth reminiscent of contemporary roots heroes like Lucinda Williams." (Johnathan Frahm, For Folk’s Sake) A songwriting troubadour with new music pointing towards a courageous sophomore release, she fronts a spirited alt-country outfit. Kimes and her band offer a striking live show with a timeless sound, her tireless voice leading the way, her sentiments forging their own new space in the country americana scene.
The Moonrise Cartel is an original American folk-rock band blending folk, indie rock, and Americana with a touch of gospel. The band features soaring harmonies, introspective lyrics, and a vintage sound profile balanced with a modern touch — equal parts timeless and for the time. Their rapidly growing fan base (known as Cartel Members) now coins their music “Folk Rock from Black Rock.”
Fueled by songwriter Al Pascarelli’s deeply personal writings of a lifelong battle with mental illness, alcoholism, and an eventual emergence out of the darker shades of the human experience, this is a band with several gears and one that takes you on an incredible journey. His voice is accompanied by Stephanie Harrison, who wows with striking vocal prowess, moving effortlessly between stunning power and heartbreakingly delicate delivery.
Multi-instrumentalist Jason Polise lays a sonic feast on lead guitar, saxophone, and keys, along with several other instruments. It is all held together by the rock-solid backdrop of Benj LeFevre on bass and Steve Tobey on drums.
The Moonrise Cartel is the 2025 New England Music Awards winner for Rising Stars of Connecticut.

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