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Rosen House Music Room
Tickets from $55


Music Room
At the heart of the historic Rosen House, the Music Room is a soaring yet intimate space used for chamber music, recitals, American roots music and jazz performances, as well as lectures and Caramoor's popular Afternoon Teas. You’ll find yourself surrounded with Renaissance furniture, stained glass windows and architectural elements the Rosens collected and installed in this unique space. Only covered beverages are permitted inside during performances.
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Grammy nominated American countertenor Reginald Mobley and the acclaimed Baroque ensemble ACRONYM join forces for Lasciatemi Morire: Songs of Love, Death and Devotion. Globally renowned for his purity of tone and deft interpretations of early music, Mobley regularly performs with top orchestras across the globe and serves as a leading advocate for diversity in classical programming. ACRONYM, an early music string ensemble dedicated to premiering forgotten instrumental works of the seventeenth century, has released numerous critically acclaimed albums and captivated audiences with their consummate style.
LASCIATEMI MORIRE: SONGS OF LOVE, DEATH AND DEVOTION
ANTONIO BERTALI: Sonata in A8 in a minor
GIOVANNI VALENTINI: Hodie Christus Natus Est
ISABELLA LEONARDA: O dulce nomen Jesu
ANONYMOUS: Harmonia Romana a8 in D Minor
ANTONIA BEMBO: Per il Natale
LEOPOLD I, HOLY ROMAN EMPEROR: Morte à Christo; Gavotte di S.M.C. a5 in G Major
GIOVANNI SANCES: Pianto della Madonna
LEOPOLD I, HOLY ROMAN EMPEROR: Ciacona di S.M.C. a5 in G Major
CLAUDIO MONTEVERDI: Lasciatemi morire
BARBARA STROZZI: L'amante segreto, Op. 2, No. 16
ANTONIO VIVALDI: Cum Dederit RV 608: 4
Baroque band ACRONYM — with its “unadulterated joy and funk” and “spirit of spontaneous adventure” (Boston Musical Intelligencer) — is dedicated to giving modern premieres of the wild instrumental music of the seventeenth century. Playing with “...consummate style, grace, and unity of spirit” (The New York Times), the group formed in 2012 and has released ten critically acclaimed albums. Recent projects include the first modern performances and recordings of works by Biber, Rosenmüller, and Capricornus, among others. The band’s most recent album, Cantica Obsoleta, features the modern premiere recordings of nearly-lost works from Sweden’s Düben Collection. The Boston Globe raves, “this musical time-capsule offers enough resplendence to transport anyone.”
In 2026-27, ACRONYM returns to the Isabella Stewart Gardner Museum, with a richly-imagined program centered on Esther, drawing together rarely heard vocal and instrumental works by Elisabeth Jacquet de la Guerre, Marc-Antoine Charpentier, and Giacomo Carissimi. The ensemble also joins forces with Grammy Award-winning Chanticleer to present modern-day premieres of vocal and instrumental works by Giovanni Valentini, including six Litaniae Lauretanae, a collection of motets, and some of Valentini’s most daring instrumental sonatas — nearly all of it unheard since the seventeenth century. In late 2026, ACRONYM will release a new album comprised of first recordings of much of the extant music of the Thuringian Kapellmeister Adam Drese and Johann Samuel Drese, who were significant influences on a young Johann Sebastian Bach. In Spring 2027, ACRONYM makes its debut at Early Music in Columbus, Caramoor (NY), and Tage Alter Musik Regensburg (Germany).
Recent engagements includes repeat performances at the Boston Early Music Festival, Naumburg Orchestral Concerts series in Central Park, Isabella Stewart Gardner Museum, and Music Before 1800 in New York, as well as appearances with Festival Oude Muziek Utrecht (Netherlands), Oberlin’s Artist Recital Series, Hamilton College Performing Arts Series (Clinton, NY), Arizona Early Music, and Shriver Hall Concert Series. ACRONYM has held academic residencies at Youngstown State University and Vassar College, and the group’s musicians can be heard in Tafelmusik, Les Arts Florissants, Apollo’s Fire, Handel + Haydn Society and the English Concert. ACRONYM collaborates frequently with internationally acclaimed artists, including baritone Jesse Blumberg and countertenor Reginald Mobley.
GRAMMY-nominated American countertenor Reginald Mobley is globally renowned for his interpretation of baroque, classical and modern repertoire, and leads a prolific career on both sides of the Atlantic.
An advocate for diversity in music and its programming, Reginald became the first ever Programming Consultant for the Handel & Haydn Society following several years of leading H&H in its community engaging Every Voice concerts. He holds the position of Visiting Artist for Diversity Outreach with Apollo’s Fire and has recently been appointed as Artistic Advisor at the Portland Baroque Orchestra. Reginald is also leading a research project in the UK funded by the AHRC to uncover music by composers from diverse backgrounds.
Highlights of this and next seasons include a diverse range of recitals, with piano and continuo (Chicago, De Bijloke in Gent, Wigmore Hall, MA Festival in Bruges, Bayreuth Baroque festival) as well as regular appearances with specialized ensembles; in North America: the Philharmonia Baroque Orchestra, Early Music Vancouver, Collegium San Diego, Agave, Seraphic Fire, Washington Bach Consort and, in Europe: Nederlandse Bachvereniging, Wiener Akademie, Monteverdi Choir and English Baroque Soloists, and Bach Oxford Soloists. Reginald will also tour Australia with Bach Akademie in May 2025, and will perform Bach’s St John’s Passion with Orchestre de Chambre de Paris as part of the St Denis festival in June 2025.
Reginald has been invited to sing with the US main orchestras including Pittsburgh Symphony, New York Philharmonic, Washington National Symphony, Philadelphia (both chamber and symphony), Chicago Symphony, Los Angeles Chamber Orchestra, Minnesota, Montreal Symphony, Houston Symphony, Jacksonville Symphony and Orchestra of St Luke’s (at Carnegie Hall) for a repertoire comprising Handel’s Messiah, Carmina Burana and the Mozart Requiem.
In Europe, he has appeared with Orchester Wiener Akademie, Balthasar Neumann Chor & Ensemble, Freiburger Barockorchester, I Barocchisti, Bach Society in Stuttgart, Holland Baroque Orchestra, Dutch Bach Society, Monteverdi Choir and English baroque soloists, as well as the City of Birmingham Orchestra and the Budapest Festival Orchestra for a series of performances as Ottone in L'incoronazione di Poppea. He has also engaged in projects together with the Academy of Ancient Music in Cambridge, singing the role of Disinganno in Il trionfo del Tempo e del Disinganno and devising a new programme, Sons of England, supported by UKAHRC, which reflects his research under their umbrella, which toured England in May 2024. Reginald gave a Purcell, Handel and Sancho programme for his solo debut recital in Paris, which he repeated as part of the Bayreuth baroque opera festival in September 2023.
His first solo CD with ALPHA Classics was released in June 2023 to coincide with a major series of concerts with pianist Baptiste Trotignon at the Aix-en-Provence and BBC Proms festivals. The CD has been recently awarded the Opus Klassik Awards in the ‘Classics without limits’ category. His second recording will take place this autumn: it gives tribute to English baroque music (Purcell, Dowland and Sancho) and its resonance in the more recent American repertoire (with theorb/guitar and violone/doublebass). In addition, Reginald features on several albums with the Monteverdi Choir, Agave Baroque and Stuttgart Bach Society.

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Philharmonia Baroque Orchestra